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Thursday, January 28, 2010

Becoming the Photographer...

Our friends and family love us, they want us to succeed, and they are the first to tell a little white lie to make us feel good about our passion. This may be hard to hear, it’s difficult to even type, because it’s a lesson I had to learn in the beginning and wish I’d had someone to tell me otherwise. The truth is, we all do certain types of photography well in the beginning, but not everything we do is brilliant. The first thing I’d do is get away from your family and get new friends….just kidding…..
When I first started shooting professionally, my friends had given me a little too much positive feedback that, in a way, worked against me. The problem was, I was only showing my work to friends, and not to seasoned professionals from whom I could learn. I was not very good. Yes I had instinct, but technically I was worlds away from being as good as my friends said I was. I was blind to the reality of the work I had in front of me. It wasn’t until one of my dearest friends, who happened to work in the entertainment industry, sat me down after a headshot shoot of hundreds of images and she said, “these are acceptable, one of them is great, but where is the brilliance?” This was extremely difficult to hear. I believe a glass of wine followed as I wallowed in what I felt was criticism. In reality, it was a wake-up call. If I wanted to not only be successful, but respected as well, I needed to step it up. Every single image I posted had to be pretty darned close to perfection in all of its potential or I shouldn’t put it up at all. So, there began my quest for artistic vision.

What was going to make me stand out from the rest…..?

In order to have a photography business that constantly moves forward, accumulates income, and enhances your quality of life, you need to absolutely accept that photography is not simply a hobby any longer. It must be the primary focus above anything else in your life except for family. All day, every day, every waking moment should find you curious about the world in which you live and how you can capture those moments in a unique way. You need to not only think, but live outside the box of normalcy. When others are going to lunch, you are developing your website, your blog, watching Photoshop tutorials, creating your own actions, learning Lightroom, playing in Bridge, mastering images, shooting friends for free, marketing complimentary services to elementary schools, shooting your children's teachers' families as holiday gifts for all they do. When you have done these things a hundred times, do them again, like a mantra. Your life is about creating imagery, figuring out the market you wish to target, discovering what you are truly gifted at whether it's studio photography, portrait, weddings, editorial. This, by the way can take years to sort out. The only way to truly know where your gift lies, is to do any and every job that comes along whether it seems interesting or not. Say yes to all and work your tail off to do it right. Keep your pricing reasonable, and as soon as you have that "Ahah" moment, of where you know you really are that good, that's when you focus on a field, put on your seatbelt, and get ready for a wild ride. They say it takes 10,000 hours of practice to become a star at anything. With that in mind, don't look at this as a sprint. You are in the marathon of your creative psyche and this is a journey which will hopefully last a lifetime (or until you are ready to retire.) Pace yourself, but understand that no-matter how much you love photography, there is somebody around the corner who loves it more, who is fresher and more willing to pay their dues.

The greatest gift you can give yourself, is to find a mentor. Locate a successful photographer through a friend in your area. Most people can offer a personal referral to someone they know who has made ago of their photography business. If they seem successful, there are various reasons why, but one of the most common threads is they’ve learned the art of the edit, the market, and customer service. They’ve learned the practice of sorting through images after a shoot and listening to their gut reaction as to whether an image is good or not, what stirred them upon viewing it. They’ve learned through the reactions of other professionals what is truly a brilliant image, or solid photograph, and what is a smart image to post as it will provide revenue (as these can be two completely different things).
The bottom line is, whether or not you can build a career as a photographer is solely up to you and your actions. If you keep moving forward, if people continue to be attracted to your work, if you open yourself to the mentorship of those who have gone before, and have the willingness to embrace your flaws and give them the ultimate extreme makeover, then yes, you can become the person on the street who is "the photographer".

To be quite frank, it wasn't until not too long ago, when I looked down at my beaten, toughened, sore, achy knuckles...when I realized the inner cradle of my right thumb is now chronically black from the camera body, my skin callused like a dancer's foot, and my hands showing the labors of my love, when I realized that yes, now, I can finally and wholeheartedly say to myself, "I am a photographer".

Wednesday, January 27, 2010

Destination Photographer 101



As I embark today on a journey to Hawaii , it's a reminder that what I've taken for granted as
home, is also one of the most popular wedding destinations in the world, with over 25,000 weddings taking place each year. May and June are the most popular months to get married. September and October follow and the average number of guests at a destination wedding in Hawaii is 47...yet I digress...
Often times it's a tricky concept just how to hire a photographer for a destination wedding. Do you hire the wedding site's photographer, do you fly someone in, do you hire someone local to the area, or do you just give Uncle Henry the ole point and shoot and crown him king for the day...
Once you have decided that photography is important enough to you to fly someone in, remember that the usual concept of photography being 10-15% of your budget should go right out the proverbial window. Destination weddings are usually smaller, however the photographer is not working just one day. He or she is traveling as well, so figure that the photographer is going to be considering this upon offering you his quote. Then, add on travel and accommodations for the photographer, transportation and per diem. This is where the brain can garner a hernia...
Even though your wedding may only have 40 people with a buffet reception, expect your photographer to request his fee for a full day of wedding services at their full day rate. Remember, this is for an established destination photographer. Of course there are ways to be economically conservative such as hiring an up and coming photographer who wishes to build their book and experience, and this can be wonderful as well. Just make sure they understand fully the logistics of flying with equipment. They should also be aware that usual equipment insurers do not cover internationally, and an extra policy will need to be secured.
On average, it costs a photographer around $2000 to fly to a wedding with three nights accommodations and lost work days at home. This includes taxi, food, but this is only if they do not bring an assistant. If they are bringing an assistant, it will cost them at least an extra $1500 for their travel, pay, and this is if they share the same room (this is why my hubby is my assistant much of the time ;0). This is a very rough estimate, but helps you wrap your mind around the logistics.
Of course these costs go up once you go international as this necessitates extra travel days and accommodations, etc.
Ask your photographer if they can compile an estimate specifically for your wedding location/destination which includes:
Air, transportation, accommodations at or near your wedding site, wedding day shooting fee, welcome dinner shooting fee, their assistant's air and rate for working the day of the wedding, as well as meals.
It's really important that your photographer fly out to your location at least 2 nights prior to your wedding. This is to ensure that they are able to scout the site location the day before the wedding! You want them comfortable with the surroundings, selecting portrait locales, they should visit the wedding location at the exact time the wedding is going to held so they are aware of the lighting. Coming in early also ensures your photographer has a cushion in case of flight cancellations or delays. So, essentially, you are looking at 3 nights hotel accommodations minimum.
Allow the photographer to make their own arrangements for travel, etc. out of the fee they are charging you. With everything on your plate, the last thing you want to be doing is worrying about where they want to fly out of, what time they want to fly, which hotel they want to stay at....Just give them the exact airport to fly in to, the hotel you and your guests are staying at and a less expensive option nearby, and the rest is gravy. With a solid destination photographer, they have done this many, many times before and is simply second nature to us.
Keep in mind that as complicated as some of this sounds, some of us simply love to travel, to bond with our clients over these experiences, and all the minute financial details are obliterated with one fell swoop of set destination packages.
Hawaii: boom! One price.
Europe: boom! Another price.
Mexico: boom! You get the picture...
Now, remember that when you have a destination wedding, it is not just a wedding anymore....it is an event which your family and friends have traveled, left work, and used their heart-earned dollars to join you, and this is their vacation too...!!!!! I get so excited when I visit a new place as well, even if I'm working, I'm like a kid at Christmas. Everyone is relaxed and happy, life is good. Ask your photographer if they can prepare a slide-show of 30-40 of the images that you could have within the week to email to your friends and family while the momentum is still kickin'. Everyone wants to relive those vacation moments as quickly as possible to share with their loved ones as soon as they get home, so keep this in mind and communicate with your photographer as to his/her abilities to fulfill not only your needs, but those of your guests as well; if your photographer has an online link from which your guests will order photos later, ask them if they can release the link to you early so you can send it to your guests prior to the wedding. With my online lab, Pictage, the client's guests can preregister, so they are notified as soon as the bride releases her link to the public. This way she doesn't have to worry about emailing everyone at once!
It's such an exciting time, and destination weddings are truly unique and special. With every destination I've done, it's felt as though camp just ended and it was time to leave Neverland...


Tuesday, January 26, 2010

How do I Choose My Photographer?


You are finally ready to talk to photographers.....AH the joy of meeting someone new, who you hope can match their artwork on their site, who you pray won't steal your money and run off to the Bahamas....
All the stories about friends who's photographers didn't get their images to them for a year, or had their associate show up instead of themselves....FUN!

Truly, the experience doesn't need to be stressful, and these things happen less often than you think. However, there are ways to ensure that the enigma that is the wedding photographer is not necessarily a Trojan horse, but could possibly even turn out to be a lifelong friend.

First and foremost, decide how important photography truly is to you in the overall scheme of your day. How much of your budget should be alotted to photography? On average, 10-15% of your budget for your wedding day should be set aside for the customary photographer. Nowadays the average wedding runs around 28-30,000. So...consider that to hire an experienced photographer with a good reputation you should expect to pay around $2800-$3500.
This is usually for wedding coverage only or they may be including products with such a rate, this will vary.
One of the most important questions to ask are:
  • Does your rate include bridal preparation, putting on the dress?
  • Is this fee for a set number of hours? (My wedding day coverage is 12 hours, with an overtime fee above and beyond this. This is important to ask, as photographers are only human, and equipment, the camera bodies are heavy and physically we can only go full steam ahead for so long.)
  • Does this fee include a "High Resolution disc of Jpeg images"?
  • Are the images I receive color corrected?
  • How many of the images that I receive are fully mastered? (Some photographers on do levels and color correction without the artistic enhancements on their images. Some do levels and color correction on all of the edited images, but only Master 40-60 of their favorites.) DO make sure that the disc of images are not only edited (meaning they take out all the bad ones of Aunt Milly with her eyes shut, and Uncle Joe drunk in the corner) but that they are color corrected. This is industry standard. The alternative is practiced by low end photographers who "shoot and burn", meaning they shoot the wedding, and burn a disc.
  • Is there a list of their product and pricing before you book. Pricing changes from season to season sometimes as vendors change, lab fees go up, etc. so make sure you have documentation of the set pricing at the time of booking.
  • What is the photographer's rules regarding copyright? Is it ok to use your images on your engagments announcements, website, etc. without permission? Some are very flexible about this, others charge a fee per usage of the images, others simply request credit with the image(s). Always ask about this issue as for some it is a sensitive issue.
This is just the beginning, but hopefully this bit of information is helpful in your search for the perfect photographer. MOST importantly, if you love photography, if you are inspired by the person's art, an in-person meeting is just as important to ensure the proper chemistry is present between all of you. You are not only interviewing the photographer, the photographer is interviewing you ;0) Life is precious and short, and this is the most important day of your life, and a day of passion and efforts in the photographer's. The right photographer will "click" immediately. Ask yourself when you meet him/her, would I like this person as my friend? Could I see myself inviting them over for a BBQ? It seems silly, but it's true that chemistry is essential to a positive experience. The bond of loyalty and inspiration is birthed by the connection between all of you. The end result, a wedding day captured not only by a photographer you hired, but by a friend who truly cares about you, your day, your memories....

Friday, January 22, 2010

The Zen of Photography


The ZEN of photography

In essence, the secret to your success has a lot to do with an ability that few of us think about when we first decide to get into photography; The ability to become one with the environment….. This is the Zen of photography.

That feeling that you are so in sync with the world around you that you could sense a misquito about to burp in the other room. It sounds funny, but it’s true.

A good photographer captures what’s happening around him. An awesome photographer becomes one with what’s around him, enters the middle realm of reality and grabs the shot from the inside out essentially grabbing the soul of the moment and holding it for ransom.

Ok, maybe not to that extreme, but think about the last “great” photograph you took. The one that when you first saw it, it spoke to you. It told you that you alone owned that moment in time. Then you thought it was kind of cool so you showed it to a friend and for a moment there was silence, you sat wondering if it was really good or not. Then they said it, “That’s really good…..wow, you know that could be in a magazine. You should enter that in a contest or something….” And for a moment all was right in the world. The economy could crash again and worlds could collide but for that moment nothing else existed or mattered. For that moment, you realized you created something special all your own, that no one else captured. In some ways photography is a selfish, lonely existence. The irony is that we make a living providing memories for others.

The art of photography comes in creating beautiful imagery, but does this come from shooting for the client or shooting for yourself?

A good photographer balances shooting for himself first and then for the client. I know, this goes against all logic and everything you’ve ever heard about wedding photography. Of course you must shoot for the client, but don’t forget the reason they hired you: They like your work, they like you, and most of all they trust you. Yes, a successful photographer must be mentally unbalanced to the point that you become 2 people at the same time. One part of you is shooting what FEELS right to you, it’s that sweet spot, that moment when you hit the tennis racket and the ball just pops off through the air and crosses the net perfectly. The other side of you wants to cross-dress, I mean must cross over the aisle to the perpetual aisle and shoot from the head, not the hip. Being able to capture both what you desire and what the client expects traditionally makes you a good photographer. Doing both of these things at once make you a great photographer.